DETAILED NOTES ON CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They in many cases are yearning romantics, using this type of distinction: Buster looks a plausible mate, as well as Tramp rarely seems to have a libido, only idealized notions. If their comedies had been built in a more liberated time, it is feasible to imagine Keaton in bed with a girl, but disquieting to think about the Tramp to be a sexual bein